Perhaps the reluctance to label them as alternative occurs because of the specific genre in which they work, but also darker-hued Black girls are usually not given as much license to freely embrace an alternative aesthetic. Not only do these blogs celebrate those who do not conform, but they also point out that we still struggle with race issues and other marginalizations within our own alternative scenes. Like most people, I believed that alternative culture was the property of whiteness, so I either hid or denied all my alternative inclinations. As someone recently pointed out in a Tumblr post, Afropunk was first primarily attended by Black people who did not fit into able-bodied expectations. For instance, Nicki Minaj once embraced loud pink hair and other visible signs that would have been read as alternative on a white person. One of them was that I realized a lot of the indicators for alternative lifestyles were taken from Black cultures and the cultures of other people of color:
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This was the space where it was okay for Black girls to be "different. However, on her it was seen as embracing whiteness, rather than a desire to play with and own her own identity. Afropunk was one of the few spaces I ever heard of that embraced Blackness as part of an alternative scene. This denial made it difficult for me to see that my attraction to artists such as Kelis and the late Lisa "Lefteye" Lopes lied in the fact that they presented themselves in the same way as many whites in the alternative scene. We find solace in our Tumblr communities, but we must still reassure our blackness at every turn. They bring to light the struggle that many of us face when we bring our visibly alternative inclinations out of cyberspace and into physical public space.